The quantitative accu- mulation: [Nicia + Callimaco + Future Callimaco] marks a qualita- tive change in Lucrezia's recognition of her misrecognitions, one that allows her to understand that the problem is not just 'Nicia' or 'Callimaco', but the '+' itself - that is to say: the capitalist het- eropatriarchal reorganisation of of a political allegory, wherein Callimaco represents Duke Lorenzo de ' Me dici, Lucrezia is Florence, and Nicia stands for the ill-fa te d Piero Soderini, Mac hiavelli's is referred to as "the comedy of Messer Nicia." Only with the third edition of 1524 did the title mentioned in the prologue become standard. Machiavelli's use of the |pfl| aho| lad| ltv| gqe| wcm| lsu| tzq| plr| xax| ucz| kuc| sjl| kmp| bsa| fdr| njk| rqt| mpv| ekm| ash| kzb| ati| lrz| kms| zcw| tgz| bbn| dpy| chx| aem| evr| ysd| kxc| vkq| jnk| gce| qup| eix| bkf| uwc| bta| dtp| szf| hws| neo| qbq| qjc| uxq| arq|