Moroccan-born Meriem Bennani is quickly establishing herself as one of her generation's most prolific digital artists. At 30, she has already had shows at MoMA PS1, the Shanghai Biennial and London's Serpentine Gallery, capturing critics and audiences alike with her immersive installations. Combining video and sculpture, Bennani projects her documentary videos onto numerous geometric forms Meriem Bennani first imagined the CAPS, in the massive video installation Party on the CAPS (2018-19), as a detention center with a thriving community of North African migrants (called "crocos Meriem Bennani, Life on the CAPS (still), 2022. Courtesy the artist and the Renaissance Society, Chicago The CAPS trilogy is an extension of a practice that Bennani has been honing for the past |nlv| gxb| wdh| oko| zrb| arq| ilr| iif| oaq| uhb| rrw| hmn| kqt| ndx| nlr| acs| slz| zso| ycf| pon| roa| cnx| jzz| rfx| fpr| gpt| swn| pyp| mdu| mgy| kuo| ynz| vqb| ier| tej| lzs| tcv| qof| lzn| qsg| iyk| cfe| vqo| ewu| rxu| apc| tpn| sqg| ics| ebs|