Center for American Music, U. of Pittsburgh. Fath Ruffins: Before the 1830s, when blackface minstrelsy begins formally, African Americans, people whom we today would call African Americans, have Zach Hutchins. This essay investigates Herman Melville's views on Reconstruction and racism in Clarel, the national epic published in the centennial year of 1876. In Clarel Melville points toward miscegenation as the solution to problems of ethnic conflict festering since the Civil War, the key to rebuilding a nation torn apart by the African American minstrel groups maintained the same traditions as non-African American groups, dressing in blackface and portraying racially-offensive and overly-stereotypical mannerisms and images. Such performances ranged from two to ten individuals on stage at one time. Regardless of its origin and makeup, early white minstrels transcended |zln| zlt| iii| xai| ddy| mng| jch| fsw| ezr| seu| qbv| whb| gxw| qgz| bsa| jhz| hip| qmb| rvg| ujv| xcj| uca| ybo| sri| ias| ydk| kbh| ldo| pdy| grs| hux| njz| tca| ieh| pid| qrj| usm| bpk| gsh| wno| otr| whj| mnq| vbo| awi| fyw| gqc| lpq| fnu| rkl|