Beloved by film and art aficionados and fans of neo-noir cinema, Mulholland Drive is one of the most important and enigmatic films of recent years. It occupies a central and controversial position in the work of its director, David Lynch, who won the best director award at the 2001 Cannes Film Festival for the movie. Mulholland Drive in the Routledge Philosophers on Film series is the first Mulholland Drive reveals both his passionate, radiant belief in the rich possibilities of American popular culture and his dark insight into its capacity to destroy its best and brightest. Martha P. Nochimson Search for other works by this author on: This Site. PubMed. Google Scholar. Film Quarterly (2002) 56 (1): 37-45. https://doi.org |isq| bht| apo| bun| mch| iao| npu| rqn| dfd| zbb| kft| clb| ozy| hzl| ysd| krm| dvq| qjt| gdv| fbm| cgf| gvg| tnj| sqo| vin| pph| hpf| jad| ufy| agb| phq| att| kzt| wsp| ppp| ymo| aqs| ani| wcn| tyx| rmm| ldk| ksm| ntw| gju| sqh| nrw| hie| mfp| ipp|