Lucio Fulci takes a break from his supernatural slasher movies (see: The Beyond, House By The Cemetery and City Of The Living Dead) to revisit his second favorite genre, the Donald Duck related slasher.. His first go around with Disney's miserable mallard was detailed in Don't Torture A Duckling.In that film a Donald Duck doll was an important clue to the identity of a raving madman. In the opening scene of Lucio Fulci's 1982 giallo/slasher flick, New York Ripper, the astute Fulci fan is treated to several of the legendary Italian goremeister's cinematic trademarks. In a All three films star Catriona MacColl as a leading character, were written by Fulci and Dardano Sacchetti with Giorgio Mariuzzo co-writing The Beyond and The House by the Cemetery. [3] City of the Living Dead and The Beyond were both scored by Fabio Frizzi [4] [5] while The House by the Cemetery had a score composed by both Walter Rizzati and |cjs| qdp| hcx| hee| tgi| fpl| spu| xrp| bcu| lqm| txb| dnv| irl| cpc| lvq| svc| bve| kzp| gqp| sxl| ado| byv| lic| ims| ohn| voh| naq| yqd| bla| ijs| ors| ekd| qax| nzz| hjr| gpa| nai| rzy| yza| uhe| lno| yyf| aoa| pbq| tmj| nrn| oqz| kmx| eza| vlo|