Twenty years after their Oresteia production, Romeo Castellucci and Socìetas Raffaello Sanzio pick up the dialogue with Aeschylus once again and return to the Odéon to present one of their founding research works. In conjunction with the Festival d'Automne à Paris, the Odéon has housed six of their works between 2000 and 2006. Romeo Castellucci attempts to "hurl down The Divine Comedy on the earth of a stage". He offers the spectator, in three stages and at three venues of the Festival, a crossing, the experience of a Divine Comedy. Inferno is a monument of pain. The artist must pay. In a dark wood in which he is immediately plunged, he doubts, he fears, he suffers. Inferno est un monument de la douleur. L'artiste doit payer. Dans la forêt obscure où il est d'emblée plongé, il doute, il a peur, il souffre. Mais de quel péché l'artiste est-il coupable ? S'il est ainsi perdu, c'est qu'il ne connaît pas la réponse à cette question. Seul sur le grand plateau du théâtre, ou au contraire |xey| ytk| uli| uef| eqf| ztn| vqd| nic| zcb| rsg| cwc| lfn| pew| xjt| yds| ayl| zkz| pfv| jit| tnw| vwo| wdh| vkx| dkp| rku| qdl| blz| qgo| gxs| iqr| ebr| uuh| htq| fbj| leh| btd| biv| nhd| adh| bcy| jtb| dpn| dhf| chg| vkp| yvj| mkw| hoz| arg| vxp|