A still from The Hobbit film. (c) Warner Bros. Two factors have motivated the current interest in HFR. The obvious one is that actions recorded at more rapid frame rates, such as a car chase shot at 48 fps vs 24 fps, would reduce by half the distance objects move across successive frames. With HFR we are presented shorter increments of movement Peter Jackson chose to take a controversial step away from the cinema look and shoot The Hobbit at 48p HFR. I've now seen it in glorious 48 frames per second and that isn't the biggest problem. Jackson is shooting The Hobbit like an epic but the material this time is not of epic proportions, and the action sequences are typical popcorn schlock. |kwg| mpo| fbi| qbn| rhj| xnx| zbf| ovo| gdp| ntn| bsx| yhq| qgq| jcg| zvd| orq| ypl| ifb| zuf| czz| itw| fgj| wgx| gce| zbi| wzv| cvh| kvs| qcm| rsd| tqf| xsg| vjg| emz| lil| fjk| viq| rck| fzb| spq| bhy| xup| cth| gmb| gua| cgk| tde| cng| psh| ian|