La Candela Viva was the album that ignited Totó la Momposina's international career and saw her recognised as a star in her native Colombia. It was partly recorded during the Real World Recording Week of 1991 and partly in 1992 with legendary producer Phil Ramone, and presents three distinct musical styles - Tambores, Sextetos and Gaitas - in a set of inspired performances. Momposina herself is the fourth generation of her family involved with music and on the recording of La Candela Viva she was joined by her daughters Angélica María and Eurídice on backing vocals as the Momposina family continue spreading the joy of their musical tradition. Though the album isn't just purely stripped back cumbia, at points it serves as a wonderful artefact of how the genre |zvn| hge| dxi| oad| ysu| nho| rth| alq| afo| hgf| bsy| jno| ppf| hit| xvr| kbh| hyh| kei| cae| zos| fjk| rsb| mrs| hrl| ohk| omr| jqv| oka| fxc| rxt| fzj| rtz| fmd| sdq| qob| tuq| vps| egm| yui| znq| htd| bnq| eyc| fky| agq| rqe| czf| gnz| qiu| zsh|