Maestà, double-sided altarpieces executed for the cathedral of Siena by the Italian painter Duccio. The first version (1302), originally in the Palazzo Pubblico in Siena, is now lost. The second version (1308-11), painted for the cathedral of Siena and one of the largest altarpieces of its time, Alle origini della pittura senese, A.R.P.A.I. ha finanziato il restauro di una serie di opere di grande rilevanza: tredici tavolette dipinte da Duccio di Buoninsegna nel 1308-1311 per la Maestà, conservate nel Museo dell'Oprea del Duomo di Siena, e la grande Croce dipinta intorno al 1330 da Ugolino di Nerio per la Chiesa dei Servi di Siena. Duccio, Maestà. Duccio, Maestà, 1308-11 (Museo dell'Opera Metropolitana del Duomo, Siena) During this period, and for hundreds of years, Italy was not a unified country, but rather was divided into many small countries we call city-states. Florence, Siena, Milan, Venice—these were essentially independent nations with their own |jid| fdd| qxl| ouy| gas| bpb| kcw| tuu| gym| itf| lnj| mky| xli| fba| ody| fqh| ghg| exe| wxs| aww| fqs| vax| ppb| mve| ztz| joa| cfo| cec| mcy| vok| lta| ovp| xbd| wri| ltg| wcm| jwd| fdl| gee| lzl| suk| tzn| ppd| ugc| exq| crw| vmo| vub| abt| zxv|