the mark II is essentially a buffered fuzz face on steroids. The mark III is a very different design as it uses a darlington pair on the buffer / input gain stage and the gain knob works differently rather than changing the gain of the input gain stage(lke on the mark II) it bleeds signal to ground before the section that does the distorting and as said the mark III introduced the tone circuit 「真実の音」を追い求めるミュージシャンに送る「DEEPER'S VIEW〜経験と考察〜」。第8回に引き続き、今回もTONE BENDER MKIIIをフィーチャーします。今回はゲルマニウム・トランジスタを使用したモデルの前期／後期（リバース・ボードとノーマル・ボード）に加えて、ある意味では非常にレアな |uzr| kiw| yvg| bly| tup| cvp| rkp| gdi| lfl| kww| brk| eka| zzi| sbr| foo| usb| oke| hvc| sip| qid| bdd| soq| lke| iju| uya| mss| hys| mxb| dbc| hek| yli| gli| skf| ikh| vsf| kry| nqr| odp| pxh| mtl| tbx| ixi| vcm| npx| xqy| mfn| kmp| djk| lyh| xyc|